In Transit (for Arthur Eddington) by Neil Gaiman

The Universe in Verse: Neil Gaiman reads “In Transit,” his tribute to Arthur Eddington from Maria Popova on Vimeo.

IN TRANSIT (for Arthur Eddington)
by Neil Gaiman

1.

To find the many in the one
he sweated under foreign skies
to see the stars behind the sun.

So space and time were now undone
reality was undisguised.
We found the many in the one.

There is no photograph, not one,
that shows the mind behind the eyes.
He saw the stars behind the sun.

Not with a sword, or knife, or gun,
a simple picture severed ties.
He found the many in the one.

Light bends around us. So we run,
as gravity reclassifies
the stars we saw behind the sun.

To see the world beyond the skies,
to know the mind behind the eyes,
To find the many in the one
he showed us stars behind the sun.

2.

Unfucked, or anyway retiring,
in the awkward sense. Retirement will never be an option.
The gruff gentleman with the cap who understands
what the numbers mean
remembers a bicycle ride when he was younger.

The smoke of the cigarettes he does not smoke kicks at his lungs
mixing with the buzz of the booze he doesn’t ever drink
a convivial pint after the ride into the country gave him such a thirst.
And afterwards they lay on their back in the stubble
staring up at the stars. Together. All the stars

Countable as the words in a Bible,
countable as the hairs on his friend’s head,
all accountable, and that is why they never truly touched.
The shadow of prison or disgrace perhaps moving between them
like the shadow of an eclipse.

And, in another life, at another time,
to see the stars behind the sun,
he takes his photographs
fighting the cloud cover. Becoming
the thing that happened in Principe.
when he proved that the German was right,
that light had weight,
half a year after the Armistice.
A populariser, but not courting popularity.

Somewhen a boy is counting stars.
Somewhen a man is photographing light.
Somewhen his finger strokes the stubble on another’s cheek,
and for a moment everything is relative.

via

After Silence: Amanda Palmer reads Neil Gaiman’s poetic tribute to Rachel Carson

AFTER SILENCE
for Rachel Carson

Seasons on seasons. The spring is signaled by birdsong
coyotes screech and yammer in the moonlight
and the first flowers open. I saw two owls today
in the daylight, on silent wings.
They landed as one and watched me sleepily.
Oh who? they called. Or how, or how who?
Then they leaned into the trunk
into the sun that shone through the tight-curled buds,
and vanished into dappled shadows
never waiting for an answer.

Like the sapling that buckles the sidewalk
and grows until it has reached its height
all of us begin in darkness. Some of us reach maturity. A few
become old: we went over time’s waterfall and lived,
Time barely cares. We are a pool of knowledge and advice
the wisdom of the tribe, but we have stumbled,
fallen face-first into our new uncomfortable roles.
Remembering, as if it happened to someone else,
the race to breed,
or to succeed, the aching need that drove our thoughts
and shaped each deed,
those days are through.
We do not need to grow, we’re done,
we grew.

Who speaks? And why?

She was killed by her breasts, by tumours in them:
A clump of cells that would not listen to orders to disband
no chemical suggestions that they were big enough
that, sometimes, it’s a fine thing just to die, were heeded.
And the trees are leafless and black against the sky
and the bats in fatal whiteface sleep and rot
and the jellyfish drift and pulse through the warming waters
and everything changes. And some things are truly lost.

Wild in the weeds, the breeze scatters the seeds,
and it lifts the wings of the pine processionary moth,
and bears the green glint of the emerald borer,
Now the elms go the way of the chestnut trees.
Becoming memories and dusty furniture.
The ash trees go the way of the elms.
And somebody has to say that we
never need to grow forever. That
we, like the trees, can reach our full growth,
and mature, in wisdom and in time,
that we can be enough of us. That there
can be room for other breeds and kinds and lives.
Who’ll whisper it:
that tumours kill their hosts,
and then themselves?
We’re done. We grew. Enough.

All the gods on the hilltops
and all the gods on the waves
the gods that became seals
the voices on the winds
the quiet places, where if we are silent
we can listen, we can learn.
Who speaks? And why?

Someone could ask the questions, too.
Like who?
Who knew? What’s true?
And how? Or who?
How could it work?
What happens then?
Are consequences consequent?

The answers come from the world itself
The songs are silent,
and the spring is long in coming.

There’s a voice that rumbles beneath us
and after the end the voice still reaches us
Like a bird that cries in hunger
or a song that pleads for a different future.
Because all of us dream of a different future.
And somebody needs to listen.
To pause. To hold.
To inhale, and find the moment
before the exhale, when everything is in balance
and nothing moves. In balance: here’s life, here’s death,
and this is eternity holding its breath.

After the world has ended
After the silent spring
Into the waiting silence
another song begins.

Nothing is ever over
life breathes life in its turn
Sometimes the people listen
Sometimes the people learn

Who speaks? And why?

                   by Neil Gaiman

 

via Maria Popova